In this final instalment of the How to DJ series, James Zabiela continues where he left off last time: exploring mad-sounding effects like the transform scratch effect. Now if youve seen James jamming then youve probably heard him rinsing the EFX-1000s transform effect, which is a way to reproduce a transform scratch digitally. To demonstrate, James sets about creating one of his sculptures by looping a scratch sample and then introducing the transform effect. He also shows how he improvises live by creating patterns using the EFXs beat select buttons to move the sound in all kinds of weird and wonderful directions. So watch those hands/transformers in disguise The tuneage is supplied by ALiVE, who are still giving away Tom Buddens track Willow as featured by James in these tutorials. You can now download your free MP3 via the ALiVE Facebook fan page, here: bit.ly Well, thats all for now, folks! How to DJ is produced by DJdownload.com and Ministry of Sound TV. How to DJ Mini Site ? www.djdownload.com Subscribe with iTunes ? bit.ly
This is part 2 of my Pro Tools for beginners series. In this tutorial I go through the following topics by exploring a composition of my own. 1) Auxillary Channels and Bussing for effects usage. 2) Recording to Audio Tracks for mix versions and manual fade out techniques. Thanks! -M1
DOWNLOAD FREE DEMO SAMPLES HERE: www.primeloops.com • plus free music production tutorials/tips and tricks, and loads more! Sweet! Were back with our latest sample pack, and this one’s got a new style. Over the last few years Asian Hip Hop and Dance music has seen a massive rise in popularity, not only in Asia, but across the world. Producers such as Timbaland, Scott Storch, Dr Dre, and many more, have all sampled, and taken influence from the Asian Sound. Nu-Eastern Grooves delivers this sound straight to your studio. Authored by Nisal Gangodage, One of the top Asian hits producers, with a huge catalogue selling 100s of 1000s of CDs and downloads. He currently in Sri-Lanka, and working with Asias premier talent such as B n S, Ashanthi, Dinesh Kanagaratnam, BoneKiller, Krishan, Infaaz, Samitha Mudunkotuwa, Pradeep Rangana, Manaram, Chilli, Irosha Autumn, Shafraz and many more. When asked about the production of the sample pack he commented: The idea behind Nu-Eastern Grooves was to create killer Asian sample construction kits which you can use with modern Hip hop & R n B music, by creating various ethnic instruments & grooves. All the ethnic instruments was recorded by using class A tube preamps & carefully chosen microphones. Also mixed by professional audio engineer in a perfectly calibrated acoustic environment. Nu-Eastern Grooves is hot, and waiting inside a King-Sized selection of over 350 Loops arranged into 27 Crisp Asian Hip Hop Construction Kits - all the tools …
DJ CAPSUAL BY AVE (Audio & visual Engineering Australia) Its got everything the starting dj could posably want and a full pug and play unit at a good price. This is my first out of the box attempt to use it, Im totaly inexperienced and just had a couple of CDs running and getting the feel for it. I hooked it up to a Hifi system going from the amp out puts on the capsual to the video inputs on the back of the HiFi. I removed it from the box took a couple of flicks which explane what i noticed and pro’s and cons then this on here. sorry about the crappy footage i was doing that aswell. and i didn’t know how to cue or even have the headphones up enough but i think you’ll get the idea of what this may be cappable of. with good powered speakers like the Behringer B1800D Pro subs 18″ 1400w and the Eurolive B815neo 15″ 1200w and wow you got a party . Go buy something for double the price because it lasts longer well the way technology is in this field in three years this will be old. I have the DJX750 and its a good mixer i tell the truth about it and all my gear on other vids here so check em out.If i can do even what i did on this vid first go with no experience and videoing at the same time think how a pro could make it sound. The capsual is in a stong box made of sheet metal and ready to rack. You can pre store a 20 song playlist in it and connect your it to your computer through the USB ports and or hook up a media player such as an ipod or media stick of upto 4GBs and skip …
www.agiprodj.com http www.agiprodj.com DJ Ty discusses some of the differences between the NS7FX and the V7, including how the controllers operate and process effects differently. www.agiprodj.com sales@agiprodj.com 866-PRO-MIXX
INNOVATIVE LED NIGHTCLUB LIGHTING EQUIPMENT DJ LIGHTING DISCO LIGHTS CLUB LIGHTING BAR EFFECTS LED DMX RGB STRIPS EQUALIZER PANEL DISCO PANEL CEILING LED PANEL LED DANCE FLOORS
Want to know when to cut the bass or boost the treble? Then click on as Phil K demonstrates how he creates dancefloor drama by manipulating the low, midrange and high frequencies in a mix In this clip the house and breaks master continues to expand on the basics covered in Episode 1. Phil explains more about bass, midrange and treble and how controlling each can impact on your delivery. He also discusses swapping basslines, enhancing or killing specific frequencies and developing your own …
Elite Tone’s Fillmore Thunder encapsulate the classic Jimi Hendrix tone form the Band of Gypsy’s era. This pedal is 2 channel analog multi effects pedal. The first channel is a four control BC-108 Fuzz Face, while the second is an clean octave portion. Each is independent of one another and fully functionally. Everything is true-by pass and fully loaded and assembled by hand. This closely human interaction during the building process ensures high fidelity, tuning and calibration. For instance the pedal can be played with chords while the Fuzz and Octave stages are engaged!
At the core of this ring-modulator pedal is a 4 knob classic silicon Fuzz Face circuit (with the addition of a gain control and transistor bias) decked out with a set of classic BC-108 vintage transistors. The Fillmore Thunder Pedal is a two-stage effect. Most notable is the octave portion of the circuit, said Nelson. “This circuit was designed NOT as an Octavia clone — but rather as a practical and articulate 60’s sounding octave-up pedal. Our emphasis was development of the warm fidelity and prominent “steel drum pinging” octave sound found on such songs as “Who Knows?” , an opening number on Hendrix’s “Live at the Fillmore East” album. ” “We took on the challenge of designing this pedal to address common complaints about its predecessors - such as the Tycobrahe and subsequent clones,” said Nelson. He explained that these predecessors are often plagued by a lot of harsh tinny distortion. Another limitation is that the ‘octave sweet spots’ can only be played in the middle of the guitar neck.
Forty years later gobs of guitar players frequently approach new guitar effects pedals company’s in the hopes that they might some how get “THAT SOUND”. Digital products promise you the world include the Hendrix estates logo’s and look to be authentic. Some pedals have the right round disc fuzz face shape and often don’t the true vintage sound. Shortcuts in mass production manufacturing are common, few vintage or no vintage components are sourced and seems that these products have something missing. the search turns into a quest and. The Fillmore Thunder on the other hand is designed to one stop shopping for such guitarists.
Thank you for your time, I hope this information was use full to you.
Elite Tones back ground in effects pedals goes back to 2002.
Check out the Fillmore Thunders demo’s, I think you will be pleased
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Gig Log of my first halloween disco, all my equipment looking very professional and i hope you agree! Comment and subscribe … disco halloween haloween dj joe djjoe mobile roadshow mixer djx700 behringer virtual video effects music MOBILE DISCO song amp laptop stand elevotor amplifier speakers woofer tweeter pc computer gig log wedding b-day birthday party lights light moonflower colourful harddrive hard drive external power sound to activated road show jonathan brain brainsredd ellaskins under …
Phil K is back with yet more tips on How to DJ. And this time around hes looking at how up-and-coming DJs can get gigs and break into the scene Are you experienced? If youre seeking DJ experience in clubland and want to generate career-building exposure as a warm-up spinner, then this is the clip for you. Having DJed since the mid-80s, Phil talks us through the various stages of getting your name out there. From approaching the clubs, to online marketing, to performing the perfect warm up …