Posts Tagged ‘effects’
INNOVATIVE LED NIGHTCLUB LIGHTING EQUIPMENT DJ LIGHTING DISCO LIGHTS CLUB LIGHTING BAR EFFECTS LED DMX RGB STRIPS EQUALIZER PANEL DISCO PANEL CEILING LED PANEL LED DANCE FLOORS
Want to know when to cut the bass or boost the treble? Then click on as Phil K demonstrates how he creates dancefloor drama by manipulating the low, midrange and high frequencies in a mix In this clip the house and breaks master continues to expand on the basics covered in Episode 1. Phil explains more about bass, midrange and treble and how controlling each can impact on your delivery. He also discusses swapping basslines, enhancing or killing specific frequencies and developing your own …
Elite Tone’s Fillmore Thunder encapsulate the classic Jimi Hendrix tone form the Band of Gypsy’s era. This pedal is 2 channel analog multi effects pedal. The first channel is a four control BC-108 Fuzz Face, while the second is an clean octave portion. Each is independent of one another and fully functionally. Everything is true-by pass and fully loaded and assembled by hand. This closely human interaction during the building process ensures high fidelity, tuning and calibration. For instance the pedal can be played with chords while the Fuzz and Octave stages are engaged! At the core of this ring-modulator pedal is a 4 knob classic silicon Fuzz Face circuit (with the addition of a gain control and transistor bias) decked out with a set of classic BC-108 vintage transistors. The Fillmore Thunder Pedal is a two-stage effect. Most notable is the octave portion of the circuit, said Nelson. “This circuit was designed NOT as an Octavia clone — but rather as a practical and articulate 60’s sounding octave-up pedal. Our emphasis was development of the warm fidelity and prominent “steel drum pinging” octave sound found on such songs as “Who Knows?” , an opening number on Hendrix’s “Live at the Fillmore East” album. ” “We took on the challenge of designing this pedal to address common complaints about its predecessors - such as the Tycobrahe and subsequent clones,” said Nelson. He explained that these predecessors are often plagued by a lot of harsh tinny distortion. Another limitation is that the ‘octave sweet spots’ can only be played in the middle of the guitar neck. Forty years later gobs of guitar players frequently approach new guitar effects pedals company’s in the hopes that they might some how get “THAT SOUND”. Digital products promise you the world include the Hendrix estates logo’s and look to be authentic. Some pedals have the right round disc fuzz face shape and often don’t the true vintage sound. Shortcuts in mass production manufacturing are common, few vintage or no vintage components are sourced and seems that these products have something missing. the search turns into a quest and. The Fillmore Thunder on the other hand is designed to one stop shopping for such guitarists. Thank you for your time, I hope this information was use full to you. Elite Tones back ground in effects pedals goes back to 2002. Check out the Fillmore Thunders demo’s, I think you will be pleased We will be adding extra features and additional products over the next few months, so come back regularly. Visit for more information on Elite Tone’s custom guitar effects pedals .
Gig Log of my first halloween disco, all my equipment looking very professional and i hope you agree! Comment and subscribe … disco halloween haloween dj joe djjoe mobile roadshow mixer djx700 behringer virtual video effects music MOBILE DISCO song amp laptop stand elevotor amplifier speakers woofer tweeter pc computer gig log wedding b-day birthday party lights light moonflower colourful harddrive hard drive external power sound to activated road show jonathan brain brainsredd ellaskins under …
Phil K is back with yet more tips on How to DJ. And this time around hes looking at how up-and-coming DJs can get gigs and break into the scene Are you experienced? If youre seeking DJ experience in clubland and want to generate career-building exposure as a warm-up spinner, then this is the clip for you. Having DJed since the mid-80s, Phil talks us through the various stages of getting your name out there. From approaching the clubs, to online marketing, to performing the perfect warm up …
One of James Zabiela’s trademarks as a DJ is the way that he scratches and transforms sounds. When done at the right time and place, this always turns heads. So the penultimate part of this series focuses on how to scratch it up, JZ-style. Taking certain techniques from turntablism and giving them a digital twist, here the super-dexterous star runs us through a few of his favourite tips and tricks. These include how to create scratch patterns and how to cut them using the cross fader. The …
A Video review of my first DJ light comment and subscribe please
effects to them, mix them through an onboard DJ style crossfader and tweak them in order to create unique and spectacular shows. The hardware controller works seamlessly with existing DJ gear and the software is compatible with most computers and laptops. The NuVJ integrates tightly with the accompanying Arkaos custom software and is designed to work intuitively in the same way that DJs mix music. The software package includes a library of video clips and over 30 real-time video effects. …
Hi! This is a video response to ellaskin’s “Get your kit out” video. I hope you all will like what you see
a video on my behringer djx700 mixer |
The gear we used: 2 alpha scanners 2 alpha barrels 2 simple effect light (mounted on the beams facing the floor ) 2 supernovas 1 mirror ball 1 4ch laser 2 dmx controllers 1 1500w strobe (not turned on) 1 water effect The DMX controllers were set to control the laser and the strobe. All the other lights had an on/off remote switch. I didn’t film myself coz this video was made earlier …